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Walters Ms. W.30, Gloss on The lamentations of Jeremiah

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Shelf mark

W.30


Manuscript

Gloss on The lamentations of Jeremiah


Text title
Glossa ordinaria in lamentationes Ieremie Prophete

Author

Authority name: Gilbert, the Universal, d. 1134

As-written name: Giselbertus Autisiodorensis

Supplied name: Gilbert of Auxerre

Known as: Giselbertus of Auxerre

Known as: Gilbertus Universalis


Abstract

This illustrated copy of The lamentations of Jeremiah with the gloss (or interpretation) of Gilbert of Auxerre was written in Austria in the second half of the twelfth century and comes from the monastery of Seitenstetten. Gilbert died in 1134, and the manuscript is an early and important witness to his text. The gloss is written in a small script and is both interlinear and marginal. This layout is typical of glossed books of the Bible from the twelfth century. The illustrations of the sack of Jerusalem and the return to Babylon give valuable information on twelfth-century armor. The manuscript is in its original binding.


Date

Second half of the 12th century CE


Origin

Austria


Form

Book


Genre

Theological


Language:

The primary language in this manuscript is Latin.


Support material

Parchment

Medium to very thick parchment


Extent

Foliation: 53

Modern pencil foliation in upper right corners


Collation

Formula: 1(4,-2), 2(8), 3(10,-9), 4(8), 5(4), 6(10), 7(8), 8(6,-4,5,6)

Catchwords: None

Signatures: None

Comments: Quires begin on fols. 1(1), 4(2), 12(3), 21(4), 29(5), 33(6), 43(7), 51(8); paper pastedowns hooked under the first and last quires


Dimensions

18.2 cm wide by 25.8 cm high


Written surface

16.6 cm wide by 21.1 cm high


Layout
  1. Columns: 2-3
  2. Ruled lines: 12-48
  3. Number of actual written lines varies by folio, but main text laid out in 12 lines, with gloss having 48 lines

Contents:
fols. 1r - 53r:
  1. Title: Glossa ordinaria in lamentationes Ieremie Prophete
  2. Hand note: Written in late Caroline minuscule script with very few signs of incoming Gothic features; names of Hebrew letters as section headings in a majuscule display script; added prayers in a different hand on fol. 1r-v
  3. Decoration note: Two full-page miniatures; one half-page miniature; two historiated initials, two inhabited initials, and one large decorated initial (all 3 to 4 lines high based on large text line spacing); some chapter prefaces framed by inhabited columns and arcades; all decoration drawn in red, black, and green ink; small red initials throughout (1 to 2 lines high); rubrics in red; text in black ink
fols. 1r - 1v:
  1. Title: Added prayers
  2. Incipit: Pater noster
  3. Contents: Fol. 1r: The Lord's Prayer in Latin and transliterated Greek; fol. 1v: German prayer beginning "O schoppher aller creatur ..."
  4. Text note: Two prayers added later to a blank folio
  5. Hand note: Written in a late cursive script; both prayers apparently written in the same fifteenth- or sixteenth-century hand
fols. 2r - 53r:
  1. Title: Glossa ordinaria in lamentationes Ieremie Prophete
  2. Author: Gilbert, the Universal, d. 1134
  3. Rubric: Paschasius
  4. Incipit: Sunt cantica canticorum sunt et lamentationes lamentationum
  5. Contents: Fols. 2r-3v: Forwards (Prothemata); fols. 4r-12v: Chapter 1; fol. 13r-v: Preface to chapter 2; fols. 13v-22v: Chapter 2; fol. 23r: Preface to chapter 3; fols. 23v-37r: Chapter 3; fols. 37v-38r: Preface to chapter 4; fols. 38r-46v: Chapter 4; fols. 47v-48r: Preface to chapter 5; fols. 48r-53r: Chapter 5
  6. Text note: Text complete
  7. Decoration note: Two full-page miniatures; one half-page miniature; two historiated initials, two inhabited initials, and one large decorated initial (all 3 to 4 lines high based on large text line spacing); some chapter prefaces framed by inhabited columns and arcades; all decoration drawn in red, black, and green ink; small red initials throughout (1 to 2 lines high); rubrics in red; text in black ink

Decoration:

fol. 2r:

  1. W.30, fol. 2r
  2. Title: Arcade with facing dragons
  3. Form: Inhabited arcade
  4. Text: Prefatory material

fol. 2v:

  1. W.30, fol. 2v
  2. Title: Arcade with orant figure
  3. Form: Inhabited arcade
  4. Text: Prefatory material

fol. 3r:

  1. W.30, fol. 3r
  2. Title: King Nebuchadnezzar orders soldiers to lay siege to Jerusalem; Jerusalem is taken
  3. Form: Full-page miniature in two registers
  4. Text: Jeremiah 39:1-3; Jeremiah 39:8

fol. 3v:

  1. W.30, fol. 3v
  2. Title: Execution of King Sedekiah of Judah's sons; Blinding of Sedekiah; Return to Babylon with the blinded king; Jeremiah lamenting before a walled city
  3. Form: Full-page miniature in three registers
  4. Text: Jeremiah 39:6-9

fol. 4r:

  1. W.30, fol. 4r
  2. Title: Initial "Q" with Jeremiah lamenting
  3. Form: Historiated initial "Q," 4 large lines
  4. Text: Chapter 1

fol. 13r:

  1. W.30, fol. 13r
  2. Title: Arcade with vultures, masks, and beasts
  3. Form: Inhabited arcade
  4. Text: Preface to chapter 2

fol. 13v:

  1. W.30, fol. 13v
  2. Title: Decorated initial "Q"
  3. Form: Decorated initial "Q," 4 large lines
  4. Text: Chapter 2

fol. 23r:

  1. W.30, fol. 23r
  2. Title: Arcade with lions, masks, and beasts
  3. Form: Inhabited arcade
  4. Text: Preface to chapter 3

fol. 23v:

  1. W.30, fol. 23v
  2. Title: Initial "E" with Jeremiah mourning
  3. Form: Historiated initial "E," 3 large lines
  4. Text: Chapter 3

fol. 37v:

  1. W.30, fol. 37v
  2. Title: Arcade with a hunter and a scribe
  3. Form: Inhabited arcade
  4. Text: Preface to chapter 4

fol. 38r:

  1. W.30, fol. 38r
  2. Title: Initial "Q" with a dragon
  3. Form: Inhabited initial "Q," 4 large lines
  4. Text: Chapter 4

fol. 47v:

  1. W.30, fol. 47v
  2. Title: Jeremiah praying in the temple
  3. Form: Half-page miniature
  4. Text: Preface to chapter 5

fol. 48r:

  1. W.30, fol. 48r
  2. Title: Initial "R" with a dragon
  3. Form: Inhabited initial "R," 3 large lines
  4. Text: Chapter 5

Binding

The binding is original.

Plain alum-tawed leather over oak(?) boards; center fore-edge strap meant to fasten to pin on upper board missing; sewn on three alum-tawed straps; endbands of a single rolled alum-tawed core, worked with similar thread to main sewing; double blind lines on each band; saltire cross formed from two double lines on upper board; five small steel studs once on each board, with a six-petaled impression remaining from each of them


Provenance

Made in Austria in the second half of the twelfth century

Petrus de Anaso, Weyer (ca. 1500 inscription partially erased on front pastedown reading, "Anno etc. 30. Liber dom.[?] Petri de Anaso dominum socio in hospitai Wienn[ensi]")

Johannus Hofulner(?) (sixteenth-century inscription on front pastedown reading, "Hic libellus est Joh[annis] hofulner[?] de Wey[er]")

Benedictine monastery of Seitenstetten by early twentieth century (seen by Hanns Swarzenski there)

Jacques Rosenthal, owned as of 1928, cat. 90, no. 139

Leo S. Olschki, after 1928 (bookplate on front pastedown)

Henry Walters, Baltimore, purchased from Olschki before 1931


Acquisition

Walters Art Museum, 1931, by Henry Walters bequest


Bibliography

Bibliotheca Medii Aevi Manuscripta. Pars Altera: Einhundert Handschriften des Mittelalters vom zehnten bis zum fünfzehnten Jahrhunderts. Munich: Jacques Rosenthal, 1928, pp. 40-42, no. 139, pl. 7 (fol. 3r).

De Ricci, Seymour. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935, p. 821, no. 388.

Boston Museum of Fine Arts. Arts of the Middle Ages. Boston: Museum of Fine Arts, 1940, p. 7, no. 18.

Walters Art Gallery. Illuminated Books of the Middle Ages and Renaissance: An Exhibition Held at the Baltimore Museum of Art. Baltimore: Trustees of the Walters Art Gallery, 1949, p. 13, no. 28, pl. 19 (fol. 3r).

Los Angeles County Museum of Art. Medieval and Renaissance Illuminated Manuscripts. Los Angeles: Los Angeles County Museum of Art, 1953, no. 14 (fol. 3r).

Walters Art Gallery. 4,000 Years of Modern Art. Baltimore: Walters Art Gallery, 1953, p. 19, no. 59.

Diringer, David. The Illuminated Book: Its History and Production. London: Faber and Faber, 1958, pp. 181-182, pl. 3-32c (fol. 3r).

Temple Emanu El. Festival of the Bible in the Arts. Houston: Temple Emanu El, 1964, no. 73.

The Israel Museum. Old Masters and the Bible. Jerusalem: Japhet Press, 1965, no. 59 (fol. 3v).

Reeves, Marjorie. Then and There: The Medieval Castle. 2nd ed. London: Longmans, 1988, p. 21.

Von Hülsen-Esch, Andrea. Romanische Skulptur in Oberitalien: als Reflex der kommunalen Entwicklung im 12. Jahrhundert. Berlin: Akademie Verlag, 1994, p. 150, fig. 69 (fol. 3r).

Pirker-Aurenhammer, Veronika. Die Gumbertusbibel: Codex 1 der Universitätsbibliothek Erlangen: Ein Regensburger Bildprogramm des späten 12. Jahrhunderts. Regensburg: Universitätsverlag, 1998, pp. 169-170, figs. 76-77 (fol. 3r-v).

Andrée, Alexander. Gilbertus Universalis Glossa Ordinaria in Lamentationes Ieremie Prophete Prothemata et Liber I: A Critical Edition with an Introduction and a Translation. Stockholm: Almquist and Wiksell International, 2005, p. 89 (as de Ricci 388).


Contributors

Cataloger: Walters Art Museum curatorial staff and researchers since 1934

Editors: Herbert, Lynley; Noel, William

Copy editor: Bockrath, Diane

Conservators: Owen, Linda; Quandt, Abigail

Contributors: Bockrath, Diane; Clarkson, Christopher; Dutschke, Consuelo; Emery, Doug; Hamburger, Jeffrey; Noel, William; Tabritha, Ariel; Toth, Michael B.


Publisher

The Walters Art Museum


License

Licensed for use under Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-nc-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.