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Walters Ms. W.246, Book of Hours
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W.246
Book of Hours
This Book of Hours was made in Bruges in the middle of the fifteenth century. The place of origin is suggested by the saints in the Calendar, such as SS. Amandus and Vedast. The manuscript is highly illuminated, containing a full-page miniature at the beginning of each of the Hours. Style and compositions are comparable with Flemish manuscripts known as the "Golden Scrolls" group; some books of this group are preserved at the University of Chicago (Ms 344), and the Bibliothèque Royale of Brussels (Ms 9798). The manuscript is notable for its unusual iconography, such as the Annunciation with God the Father in the Hours of the Virgin, and a Last Judgment image in which Christ as Judge is flanked by John and the Virgin showing her breast.
1440-50
Bruges
Book
Devotional
The primary language in this manuscript is Latin.
Parchment
Thin to medium-weight, well-prepared parchment; slightly thicker for illuminated folios
Foliation: i+148+i
Flyleaves are modern parchment conjoint with facing pastedown; first and last two folios are left blank; modern pencil foliation, upper right corners, rectos
Formula: Quire 1: 2 (fols. 1-2); Quire 2: 6, with seventh folio added (fols. 3-9); Quire 3: 4, with fourth folio added (fols. 10-14); Quire 4: 4, with first, third, and fifth folios added, original second folio (after fol. fol. 16) cancelled(?) (fols. 15-20); Quire 5: 2, with first and third folios added (fols. 21-24); Quire 6: 8, with first, third, fifth, and ninth folios added (fols. 25-36); Quire 7: 4, with fifth folio added (fols. 37-41); Quire 8: 6, with fourth and eighth folios added (fols. 42-49); Quire 9: 8, with seventh folio added (fols. 50-58); Quire 10: 8, with seventh folio added (fols. 59-67); Quire 11: 6, with third, sixth, and ninth folios added (fols. 68-76); Quire 12: 12, with 3 folios cancelled after fol. 84, first and sixth folios added (fols. 77-87); Quire 13: 8, with first folio added (fols. 88-96); Quire 14: 8 (fols. 97-104); Quire 15: 8, with first folio added (fols. 105-113); Quire 16: 8 (fols. 114-121); Quire 17: 6 (fols. 122-127); Quire 18: 8, with first folio added (fols. 128-136); Quire 19: 4 (fols. 137-140); Quire 20: 8 (fols. 141-148)
Catchwords: Fragments of catchwords on fols. 24v and 67v; modern pencil arabic numbers from quire 1 to 20 on lower corners, rectos
Comments:
13.5 cm wide by 18.0 cm high
5.7 cm wide by 9.0 cm high
- Columns: 1
- Ruled lines: 18
- Layout does not apply to calendar; written surface: 6.3 cm wide by 11.0 cm high; 4 columns of 33 lines
- Title: Book of Hours
- Contents: Use of Rome
- Hand note: Textura
- Decoration note: Twenty-four inserted full-page miniatures; decorated initials at text openings opposite full-page miniatures (5 lines) and at secondary text openings (2 lines); gold and blue versals altenrately throughout the text; floral borders around full-page miniatures and text openings on opposite folios; marginalia limited to a few types of birds including peacock and rooster generally centered below miniature and at fore-edge on facing rectos; line fillers in litany; rubrics in red; 'amen' or other word at end of a text occasionally underlined or crossed in red; text in dark brown and black ink
- Title: Calendar
- Contents: Less than a half-filled on average; graded in red and brown with red-stroked capitals; contents include highly irregular dates and numerous Bruges feasts; feasts of note include: Amandus and Vedast (Feb. 6), David (Mar. 1, uncommon), Annunciation (Mar. 18, regularly Mar. 25), Benedict (Mar. 21), Peter martyr (Apr. 29), Sophia (May 15), Basil (Jun. 14), Eligius (Jun. 25, Translation), Benedict (Jul. 2, Commemoration), Praxedis (Jul. 20, regularly Jul. 21), Christina (Jul. 23, regularly Jul. 24), Dominic (Aug. 6, regularly Aug. 5), Aegydius (Sep. 1), Remigius and Bavo (Oct. 1), Francis (Oct. 4), Dionysius (Oct. 9), Donatian (Oct. 14), Gallus (Oct. 16), Crispinus and Crispinianus (Oct. 26, regularly Oct. 25), Leonard (Nov. 6), Eligius (Dec. 1), Nicasius (Dec. 14), Lazarus (Dec. 17)
- Title: Hours of the Holy Trinity
- Rubric: Hore de Sancta Trinitate. Ad matutinas.
- Incipit: Domine labia mea aperies
- Decoration note: Full-page illumination at the opening of the Hours and facing foliate borders
- Title: Hours of the Cross
- Contents: Fols. 14r-v: Prefatory prayers to the Hours of the Cross; fols. 16r-28v: Hours of the Cross (fols. 16r-v: Matins; fols. 18r-v: Prime; fols. 20r-v: Terce; fols. 22r-v: Sext; fols. 24r-v: None; fols. 26r-v: Vespers; fols. 28r-v: Compline)
- Decoration note: Five full-page illuminations with facing foliate borders at the beginning of the prayer and each hour
- Title: Hours of the Holy Spirit
- Rubric: Incipiunt hore de Sancto Spiritu ad matutinas.
- Incipit: Domine labia mea aperies
- Decoration note: Two full-page illuminations with facing foliate borders
- Title: Mass of the Virgin
- Rubric: Officium misse beate Marie Virginis
- Incipit: Introibo ad altare Dei
- Decoration note: Full-page illumination with facing foliate borders
- Title: Mass of the Holy Sacrament
- Rubric: Officium missa de. Sacramento.
- Incipit: Cibavit eos ex adipe frumenti
- Decoration note: Full-page illumination with facing foliate borders
- Title: Mass of the Ascension
- Rubric: In festo ascensionis Domini ad missam
- Incipit: Viri galilei qui ammiramini aspicientes
- Decoration note: Full-page illumination with facing foliate borders
- Title: Hours of the Virgin
- Rubric: Incipiunt hore beate Marie Virginis secundum consuetudinem romane ecclesie.
- Incipit: Domine labia mea aperies
- Contents: Fols. 58r-65v: Lauds; fols. 67r-69v: Prime; fols. 71r-72v: Terce; fols. 74r-75v: Sext; fols. 77r-78v: None; fols. 80r-83v: Vespers; fols. 85r-87v: Compline
- Decoration note: Eight full-page illuminations with facing foliate borders
- Title: Seven Penitential Psalms, litany, and collects
- Rubric: Incipit orationes septem psalmi.
- Incipit: Suscipe Domine Sancte Pater Omnipotens
- Contents: Fols. 89r-100r: Seven Penitential Psalms; fols. 100r-104v: Litany, including Flemish saints, e.g. fifteen apostles/evangelists/disciples; twenty-three martyrs inclduing Cornelius, Eligius, Lupus, Amandus, Donatus, Blasius; eight doctors including Nicholas and Louis; six confessors, namely Bernard, Leonard, Francis, Eligius, Aegydius, Dominic; sixteen virgins including Mary Magdalene, Mary Egyptian, Clare, Anne, Amalberga, Julian, Elizabeth, Ursula, Martha; fols. 102v-104r: Petitions, invocations; fols. 104r-v: Three collects
- Decoration note: Full-page illumination with facing foliate borders
- Title: Office of the Dead
- Rubric: Incipiunt vigilie mortuorum. Antiphona
- Incipit: Placebo Domino
- Decoration note: Full-page illumination with facing foliate borders
- Title: Devotional sequence
- Rubric: Incipiunt psalterium sancti Ieronimi doctoris.
- Incipit: Verba mea auribus percipe Domine
- Contents: Fols. 129r-141r: Psalter of St. Jerome; fols: 141r-147v: Suffrages: fol. 141r: to the Trinity; fol. 141v: Michael; fol. 142r: John the Baptist; fol. 142r: Peter and Paul; fol. 142v: Andrew; fol. 142v: John the Evangelist; fol. 143v: James the Greater; fol. 144r: Lawrence; fol. 144r: Christopher; fol. 145r: Martin; fol. 145r: Nicholas; fol. 145v: Dominic; fol. 146r: Anne; fol. 146v: Mary Magdalene; fol. 147r: Catherine; fol. 147r: Margaret; fol. 147v: all saints)
- Decoration note: Full-page illumination with facing foliate borders
fol. 9v:
fol. 13v:
- Title: Christ praying in the Garden of Gethsemane
- Form: Full-page miniature
- Text: Hours of the Cross: Prayer
fol. 15v:
fol. 17v:
fol. 19v:
fol. 21v:
fol. 23v:
fol. 25v:
fol. 27v:
fol. 29v:
fol. 33v:
- Title: Virgin and Child, two angels hold crown overhead
- Form: Full-page miniature
- Text: Mass of the Virgin
fol. 41v:
fol. 45v:
fol. 49v:
fol. 57v:
fol. 66v:
fol. 70v:
fol. 73v:
fol. 76v:
fol. 79v:
fol. 84v:
fol. 88v:
fol. 105v:
fol. 128v:
The binding is not original.
French late-nineteenth early-twentieth century crimson velvet over wooden boards; sewn on five recessed cords; at least two previous sewings; rounded spine; re-gilt edges; leather fore-edge tabs at illuminated folios
Made in Bruges, ca. 1440-50, for Use of Rome; Bruges feasts in calendar for SS. Amandus and Vedast
Léon Gruel, Paris, bookbinder and bookseller, late-nineteenth or early-twentieth century; Gruel bookplate on front pastedown inscribed "No. 85"
Henry Walters, Baltimore, purchased from Gruel between 1895 and 1931
Walters Art Museum, 1931, by Henry Walters' bequest
De Ricci, S., and W. J. Wilson. Census of Medieval and Renaissance Manuscripts in the United States and Canada. Vol. 1. New York: H. W. Wilson Company, 1935; p. 792, no. 225.
Panofsky, Erwin. Early Netherlandish Painting. Cambridge, Mass.: Harvard University Press, 1953; p. 122.
Kessler, Herbert L. French and Flemish Illuminated Manuscripts from Chicago Collections. Exhibition Catalogue. Chicago: Newberry Library, 1969; ref. under cat. nos. 3, 4.
Meiss, Millard. Painting in Florence and Siena after the Black Death: The Arts, Religion, and Society in the Mid-Fourtheenth Century. Princeton: Princeton University Press, 1978; p. 143.
Dogaer, Georges. Flemish Miniature Painting in the 15th and 16th Centuries. Amsterdam: B.M. Israël, 1987; p. 31.
Farquhar, James Douglas. "Manuscript Production and Evidence for Localizing and Dating Fifteenth-Century Books of Hours: Walters MS 239." Journal of the Walters Art Gallery 45 (1987): 44-88; p. 56.
Owens, M. B. "Musical Subjects in the Illumination of Books of Hours from Fifteenth-Century France and Flanders." 2 vols. Ph.D. diss., University of Chicago, 1987; p. 429.
Wieck, Roger Seymour. Time Sanctified: The Book of Hours in Medieval Art and Life. Exhibition Catalogue. Baltimore, Walters Art Gallery. NY: George Braziller, 1988; pp. 39, 97, 212, cat. no. 90, fig. 64.
Arnould, Alain, and Jean Michel Massing. Splendors of Flanders. Exhibition Catalogue. Fitzwilliam Museum. Cambridge: Cambridge University Press, 1993; p. 124, ref. under cat. no. 37.
Randall, Lilian M. C. Medieval and Renaissance Manuscripts in the Walters Art Gallery. Vol. 3, Belgium, 1250-1530. Part 1. Baltimore, London: Johns Hopkins University Press in association with the Walters Art Gallery, 1997; pp. 163-169, cat. no. 236.
Fliegel, Stephen. The Jeanne Miles Blackburn Collection of Manuscript Illuminations. Cleveland: Cleveland Museum of Art, 1999; p. 47, cat. no. 44.
Principal cataloger: Randall, Lilian M.C.
Cataloger: Herbert, Lynley
Editor: Herbert, Lynley
Copy editor: Dibble, Charles
Conservators: Owen, Linda; Quandt, Abigail
Contributors: Cooper, Madeline; Emery, Doug; Herbold, Rebekah; Noel, William; Schuele, Allyson; Tabritha, Ariel; Toth, Michael B.; Wiegand, Kimber
The Walters Art Museum
Licensed for use under Creative Commons Attribution-ShareAlike 3.0 Unported Access Rights, http://creativecommons.org/licenses/by-sa/3.0/legalcode. It is requested that copies of any published articles based on the information in this data set be sent to the curator of manuscripts, The Walters Art Museum, 600 North Charles Street, Baltimore MD 21201.